The Greatest Hits is a film about being isolated in your grief, given the ability to go back to spots in your relationship and relive the moments. Cursed more than blessed, Harriet is forced to go back in time whenever she hears a piece of music associated with her deceased boyfriend.  Unable to stop a horrible...

Winnie-the-Pooh: Blood and Honey 2 pulls an Evil Dead II: coming back with a higher budget, a new depiction of a similar tale, and lots and lots of gore. They even dive deeper into the Evil Dead II thesis with a direct reference of a tape recording being played to explain the abominations that live...

Damsel begins well enough, with immaculate backdrops resembling the image of classic tapestries of old classics rather than utilizing an off putting CGI undertaking. Its scenery is majestic, seemingly out of an inspired fairy tale. Not to say these settings weren’t digitally inputted, but visually they resemble something grander. Now this applies to the majority of...

Road House (1989) is a recent discovery of mine, a film I’d always heard reference to all over pop culture, but one I finally witnessed for myself in the last year. Without a notion of a doubt, the original has instantaneously become a favorite of mine. Its full fledged campy nature, extreme over the top violence...

A therapeutic analysis explored through an extraterrestrial relationship, examining an astronaut’s regrets and memories he may be running away from.   Jakub’s dreams and memories are infinitely surreal. Applying a nauseating kaleidoscope effect through the lens, the Director of Photography offers an eye into the deepest depths of isolation this astronaut must be feeling. Where the...